Of the Capriole in 3, in 4, in 5, spezzate in aria (split in the air), and intrecciate (braided).

 

The Capriole in 3 is learned easily resting the hands over one seat, or over 2 stools, keeping the left foot forward of the right as much as that the heel of the left comes even to the point of the right; then raising it upon the strength of the arms, the which together with the legs standing well straight, will pass first the right, and then the left; and thus will pass said feet three times as quickly as possible, resting at the end with the left back, and letting go to fall gracefully on the points of the feet. 

The Capriole in 4, and in 5, are done in the same manner, except, which the legs go past 4 times of those in 4, and the final time the right foot rests back: and of those in 5 go past 5 times, and very quickly, and they rest with the left foot back, letting it go to fall, as was said above, gracefully on the points of the feet: in the which manner practicing it, most easily learns to do without standing resting on anything.

The Capriole split in the air is done standing the body, as was stated with the left foot forward to the right, and raise the left, and suddenly lowering it, raise the right, and throwing it quickly back some, push it also suddenly forward: then diminishing the right, do again the same with the left: carrying the body as straight as you can: and therefore this Capriole spezzate would rest in this imperfect manner; but in finishing it, raising will do a capriole in 4, at the end of which will let go to fall gracefully, as was stated, and on the points of the feet, with the left foot forward, as was found in perspective when one started to do it.

The Capriole braided, standing in the same manner, and resting upon the arms for to learn it better, and raising from the ground, will quickly pass the right crossing it over the left, then widening the feet some, will cross the left over the right, letting go to fall gracefully on the points of the feet, with the right foot back, and giving grace to each cadenza with widening the knees some.


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